From our small worlds to the vast universe, everything that exists flows incessantly. A myriad of things unfold their shapes, sounds and movements… in unison. All these changes, sometimes almost imperceptible, follow a silent rhythm, a kind of soundless music, as things take shape and dissolve, unite and separate in an infinite melody of which we are all a part.

The impulse of following these rhythms, feeling this great movement in a natural and spontaneous way, is what moves me to paint.

In my pictorial research, water is not only an element with which I feel a deep affinity but also a quality related to the Chinese concept of 融厚 (rónghòu), which refers to the world’s breath as it condenses, forming not only fog and mist but all visible forms in an endless process. These watery landscapes are not representations but thresholds, leading beyond the unsettled present towards places of stillness and contemplation where I can breathe with the world.

The evanescent elements of nature are at the heart of my research. Through the medium of ink and water, sometimes inviting other techniques, my work attempts to capture the interaction between the latent and the manifest, between form as it fades and the infinity it suggests.

This is how I understand painting: as a journey, a connection, a return to the source.